
Annual Review of Jazz Studies
The Annual Review of Jazz Studies is jointly published by the Institute of Jazz Studies and Scarecrow Press to provide a forum for the ever- expanding range and depth of jazz scholarship, from technical analyses to oral history to cultural interpretation. Addressed to specialists and fans alike, each volume includes feature articles, book reviews, and unpublished photographs. Return-Entry Page, Return-Services Page
Editorial Staff
Editors
Edward Berger
Henry Martin
Dan Morgenstern
Managing Editor
Evan Spring
Associate Editor
George Bassett
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Submission Guidelines
Submissions and editorial correspondence should be sent to:
The Editors, Annual Review of Jazz Studies
The Institute of Jazz Studies
Dana Library, Rutgers—The State University of New Jersey
185 University Avenue
Newark, NJ 07102
or by email to Ed Berger (eberger@andromeda.rutgers.edu)
and Dan Morgenstern (dmorgens@andromeda.rutgers.edu).
Publishers should send review copies of books to the above mailing address, marked to the attention of the book review editor.
Authors preparing manuscripts for consideration should follow The Chicago Manual of Style, 15th edition. In particular:
(1) except for foreign-language quotations, manuscripts must be in English;
(2) all material must be neat and double-spaced, with adequate margins;
(3) notes must be grouped together at the end of the manuscript, not as footnotes at page bottoms, following either of the two documentation styles in chapters 16 and 17 of The Chicago Manual of Style, 15th edition;
(4) authors should append a two- or three-sentence biographical note;
(5) text must be in Microsoft Word;
(6) music examples, complex tables, photographs, and other graphics should be submitted as separate computer image files, not embedded in the Microsoft Word file;
(7) image files must be presentable for publication; authors should take into account that each image and its caption have to fit within a page frame of 4 X 6 inches (10.5 X 16 cm); captions (including the example number, when applicable) should be included within the text, not in the image file;
(8) if a submission accepted for publication includes music examples transcribed from recordings, the author may be required to send in a CD of the recordings to facilitate editing the paper and checking the accuracy of transcriptions.
(9) authors alone are responsible for the contents of their articles and for obtaining premission for use of material under copyright protection.
Return-Entry Page, Return-Home Page, Return-Services Page
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Ordering Copies of the ARJS
Current and back issues of the ARJS can be purchased from Scarecrow Press;
visit www.scarecrowpress.com
or call (800) 462-6420 or (717) 794-3800.
Current Issue
ARTICLES
Ellingtonian Extended Composition and the Symphonic Jazz Model
John Howland
Churchy Blues, Bluesy Church: Vernacular Tropes, Expression, and Structure in Charles Mingus’s “Ecclusiastics”
Horace J. Maxile, Jr.
Charlie Parker and Popular Music
Brian Priestley
Chappie Willet: A Jazz Arranger in Swing Era New York
John Wriggle
BOOK REVIEWS
One O’clock Jump: The Unforgettable History of the Oklahoma City Blue Devils, by Douglas Henry Daniels
Kansas City Jazz: From Ragtime to Bebop—A History, by Frank Driggs and Chuck Haddix
---Todd Bryant Weeks
Circular Breathing: The Cultural Politics of Jazz in Britain, by George McKay
The Evolution of Jazz in Britain 1880–1935, by Catherine Parsonage
---Howard Rye
Books Received at the Institute of Jazz Studies
---Vincent Pelote |